1946年生于英國(guó)坎特伯雷。自幼進(jìn)入坎特伯雷教堂唱詩(shī)班，飽受音樂(lè)傳統(tǒng)熏陶。1963-1967年間入皇家音樂(lè)學(xué)院深造，主修羽管鍵琴和管風(fēng)琴，均以優(yōu)異成績(jī)獲得獎(jiǎng)學(xué)金。1966-1972年間他自組了Galliard三重奏團(tuán)（包括長(zhǎng)笛、大提琴和大鍵琴三件樂(lè)器），這個(gè)以17、18世紀(jì)歐洲宮廷舞蹈命名的團(tuán)體演奏也以那一時(shí)期的作品為主。此后的平諾克，迅速在大鍵琴領(lǐng)域崛起，他頻頻登臺(tái)，或獨(dú)奏或重奏或與大樂(lè)隊(duì)交相輝映，還隨著名的圣馬丁學(xué)院管弦樂(lè)團(tuán)到歐洲演出。其精湛的琴技遠(yuǎn)近聞名，很快躍居英國(guó)大鍵琴界的第一把交椅。

古往今來(lái)，音樂(lè)中的各種“主義”往往都是針對(duì)音樂(lè)的創(chuàng)作而言，像人們熟知的“古典主義”、“浪漫主義”、“印象主義”、“表現(xiàn)主義”以及“新古典主義”等等。然而，本世紀(jì)60年代興起的“原本主義（也稱為“本真主義”）”,卻是直接針對(duì)音樂(lè)實(shí)踐而言的。這是一股返樸歸真的演奏風(fēng)潮，風(fēng)潮之下，巴羅克音樂(lè)得以復(fù)興， 維瓦爾第們?cè)俅巫呒t，一批批早已被歷史埋沒(méi)的音樂(lè)古董紛紛面世和出籠。而演奏上：樂(lè)譜要講究用未經(jīng)后人修訂的原手稿，樂(lè)器要用幾百年前的古樂(lè)器，連演奏或錄音的場(chǎng)地，也是或教堂或古堡的越原始越好。于是，人們從悠悠的古韻中覓得了陣陣舊而好的新感覺(jué)。特雷沃·平諾克便是營(yíng)造這派古韻風(fēng)潮中的佼佼者。

七十年代初期，英國(guó)的古樂(lè)器演奏風(fēng)潮正興，平諾克看準(zhǔn)這一契機(jī)，于1973年聯(lián)合一群有志從事古樂(lè)器演奏的年輕樂(lè)手組建了英國(guó)協(xié)奏團(tuán)，自任指揮兼羽管鍵琴手，仍然以演繹17、18世紀(jì)的巴羅克音樂(lè)和早期古典時(shí)期 音樂(lè)作品為主。更難能可貴的是，他們得到倫敦著名的維多利亞和阿爾伯特博物館的支持，得以使用這兩家博物館多年珍藏的古樂(lè)器。適逢這一年英國(guó)隆重舉辦 巴赫音樂(lè)節(jié)，平諾克和他的樂(lè)團(tuán)在音樂(lè)街上嶄露頭角，即使是苛刻的英國(guó)樂(lè)評(píng)界也給給予他們相當(dāng)?shù)暮迷u(píng)，從此逐漸奠定了平諾克和英國(guó)音樂(lè)會(huì)樂(lè)團(tuán)在巴羅克音樂(lè)演繹方面的權(quán)威地位。作為一名羽管鍵琴家，他經(jīng)常通過(guò)鍵盤指揮他的樂(lè)隊(duì)（這種方式對(duì)于早期音樂(lè)的演繹是常見(jiàn)的），使他能夠運(yùn)用精密的低音線條把樂(lè)隊(duì)的演奏緊緊凝聚在一起，顯示出嚴(yán)整的構(gòu)筑力。

和當(dāng)代其它的古樂(lè)器演奏團(tuán)不同，平諾克手下的這支古樂(lè)團(tuán)只演奏18世紀(jì)以前、特別是巴羅克時(shí)代的作品，追求的是舊瓶老舊式的原汁原味。而同樣是古樂(lè)團(tuán)， 加迪納的革命與浪漫管弦樂(lè)團(tuán)不僅回朔前古典的拉莫、 巴赫、 亨德?tīng)�，還觀瞻晚近的 柏遼茲、馬勒、 德沃夏克，這舊瓶里面新舊兼收，也就多了幾種不同的顏色。至于諾靈頓的倫敦古典 演奏家樂(lè)團(tuán)，則主要演奏 貝多芬以后的作品，這又該是“舊瓶裝新酒”的音樂(lè)風(fēng)味。

作為英國(guó)協(xié)奏團(tuán)的靈魂和指揮，平諾克堅(jiān)持“原本”的真實(shí)和演奏風(fēng)格的純正。對(duì)所演奏的每部作品，從樂(lè)譜到與其相關(guān)的各種文獻(xiàn)進(jìn)行認(rèn)真的研究和考證，以求揭開(kāi)塵封，獲得其音樂(lè)上的真髓。20多年來(lái)，這支古樂(lè)團(tuán)從小到大、不斷發(fā)展，除每年定期到歐美及亞洲等地舉行的音樂(lè)會(huì)外，還經(jīng)常在許多世界著名的音樂(lè)節(jié)上登臺(tái)。像雪斯 維格—霍斯坦音樂(lè)節(jié)、圣西西里亞音樂(lè)節(jié)、愛(ài)丁堡音樂(lè)節(jié)等。1988年，樂(lè)團(tuán)在薩爾茨堡音樂(lè)節(jié)上演出 亨德?tīng)柕摹稄涃悂啞�，受到好評(píng)。此后，便成為該音樂(lè)節(jié)的常客。而平諾克本人除主盟自己的古樂(lè)團(tuán)之外，也涉足歌劇或客座于其它的樂(lè)團(tuán)。1988年，他首次在紐約大都會(huì)歌劇院指揮亨德樂(lè)的《彌賽亞》。近年，與英美各大交響樂(lè)團(tuán)也多有合作。1991年，他又出任加拿大國(guó)家藝術(shù)中心的音樂(lè)總監(jiān)和首席指揮。

巴赫 6首勃蘭登堡協(xié)奏曲

Archiv Produktion 423 492-2

巴赫 4首管弦樂(lè)組曲

Archiv Produktion 439 780-2

巴赫 歌德堡變奏曲

Archiv Produktion 415 130-2

巴赫 古鋼琴協(xié)奏曲

Archiv Produktion 447 709-2

科雷里 大協(xié)奏曲Op.6

Archiv Produktion 423 626-2

亨德?tīng)?大協(xié)奏曲Op.3

Archiv Produktion 423 149-2

亨德?tīng)?大協(xié)奏曲Op.6

Archiv Produktion 410 897-2

亨德?tīng)?水上音樂(lè)

Archiv Produktion 410 525-2

維瓦爾第 四季

Archiv Produktion 400 045-2

( Solo harpsichord )

By composer

J. S. Bach: toccatas 910 & 912, prelude and fugue in A minor BWV 894, fantasia in C minor BWV 906, chromatic fantasia and fugue BWV 903 (1978)

J. S. Bach: toccatas 911, 913-916 (1977)

J. S. Bach: Partitas for harpsichord BWV 825-830 (1985)

J. S. Bach: Partitas for harpsichord BWV 825-830, Hänssler Classics (1998-1999)

J. S. Bach: Goldberg Variations BWV 988 (1980)

J. S. Bach: Italian Concerto BWV 971, concerto after Vivaldi (op.3 no.9) BWV 972 and French Overture BWV 831 (1979)

J. S. Bach: French suite no.5 BWV 816, English suite no.3 BWV 808, chromatic fantasia and fugue BWV 903 and preludes and fugues BWV 846, 876, 881 from The Well-Tempered Clavier (1992)

Handel: harpsichord suites and chaconne HWV 434, 441, 436, 438, 435

Rameau: Complete harpsichord works, CRD records

Rameau: Les Cyclopes (Suites in A minor and E minor), Avie records (2005)

Scarlatti: Sonatas Kk. 46, 87, 95, 99, 124, 201, 204a, 490, 491, 492, 513, 520, 521; CRD

Scarlatti: Sonatas Kk. 460, 461, 478, 479, 502, 516, 517, 518, 519, 529, 544, 545, 546, 547 (1986)

Gibbons: The Woods so Wild (Vanguard 72021)

Collections

16th Century English Keyboard Music, CRD (1976) (1977)

A Choice Collection of Lessons and Ayres (17th and 18th Century English Keyboard Music), CRD

at the Victoria and Albert Museum, CRD (1974)

The Harmonious Blacksmith: Favourite Harpsichord Works (1983)

（Harpsichord concertos）：

J. S. Bach: harpsichord concertos BWV 1052-1058, concertos for 2, 3 and 4 harpsichords 1060-1065 (Kenneth Gilbert, Lars Ulrik Mortensen and Nicholas Kraemer, harpsichords 2-4) (1979-1981)

J. S. Bach: concerto for harpsichord, violin and flute BWV 1044 (on the recording 3 concerti) (1984)

J. S. Bach: Brandenburg concerto no.5 BWV 1050 (on his two recordings of the Brandenburg concertos) (1982 and 2006)

Sons of Bach harpsichord concertos: C. P. E. Bach: Wq.14, Wq.43; J. C. Bach/Mozart: concerto in D major; CRD (1974)

Arne: Harpsichord concerto no.5 in G minor (on A Grand Concert of Musick) (1979)

Haydn: Concerto for Harpsichord and Orchestra Hob. XVIII:11 (on Haydn: concertos and Pachelbel: Canon and Gigue) (1985)

Leigh: Concertino for Harpsichord and String Orchestra with Nicholas Braithwaite conducting the London Philharmonic Orchestra; he also plays in Leigh’s Midsummer Night’s Dream suite; Lyrita records (1980)

Poulenc: Concert champêtre with Seiji Ozawa conducting the Boston Symphony Orchestra (live recording), Deutsche Grammophon (1991)

（Chamber music）：

J. C. Bach: 3 Quintets, Sextet (also playing fortepiano and square piano) with members of The English Concert (1988)

J. S. Bach: sonatas for flute and harpsichord BWV 1030-1032 with Stephen Preston (baroque flute) and sonatas for flute and continuo BWV 1033-1035 with the addition of Jordi Savall (viola da gamba), CRD

J. S. Bach: sonatas for flute and harpsichord BWV 1020, 1030-1032 with Jean-Pierre Rampal (modern flute) and sonatas for flute and continuo BWV 1033-1035 with the addition of Roland Pidoux (cello), CBS Records (1985)

J. S. Bach: sonatas for violin and harpsichord BWV 1014-1019 with Rachel Podger (violin) and BWV 1019a and the sonatas for violin and continuo BWV 1021, 1023 with the addition of Jonathan Manson (viola da gamba), Channel Classics (2000)

J. S. Bach: sonatas for viola da gamba and harpsichord BWV 1027-1029, 1030b (an early version of the flute sonata) with Jonathan Manson, Avie (2006)

Corelli: Trio Sonatas with members of The English Concert (1987)

Handel: Trio Sonatas with members of The English Concert (1985)

Rameau: Pièces de Clavecin en Concerts with Rachel Podger and Jonathan Manson, Channel Classics (2002)

Soler: Six Concertos for Two Keyboard Instruments (playing harpsichord and fortepiano) with Kenneth Gilbert (1979)

Wesley: Duet for Organ in C major with Simon Preston on his recording Early English Keyboard Music (1986)

The Punckes Delight and other seventeenth century English music for viol and keyboard (virginal and chamber organ) with Jordi Savall, Argo Records (1978)

（Orchestral works with The English Concert）：

By composer

C. P. E. Bach: 6 symphonies for strings, Wq.182 (1979)

C. P. E. Bach: flute concertos Wq.166 and Wq.167 (Stephen Preston, flute) (1980)

J. S. Bach: Brandenburg concertos (1982)

J. S. Bach: Brandenburg concertos with the European Brandenburg Ensemble, Avie (2006-2007)

J. S. Bach: Orchestral Suites nos. 1 & 3 (1978)

J. S. Bach: Orchestral Suite no. 2 and concerto for harpsichord, violin and flute BWV 1044 (Simon Standage, violin; Stephen Preston, flute) (1978)

J. S. Bach: Orchestral Suite no. 4 and Brandenburg concerto no. 5 (1979)

J. S. Bach: Orchestral Suites (Lisa Beznosiuk, flute) and cantata sinfonias BWV 110, 174, 249, 42, 52 (1993)

J. S. Bach: single and double violin concertos (Simon Standage, Elizabeth Wilcock, violins) (1983)

J. S. Bach: 3 concerti: concerto for oboe d’amore BWV 1055, concerto for oboe and violin BWV 1060 and concerto for harpsichord, violin and flute BWV 1044 (1984)

Boyce: 8 Symphonies, op.2 (1986)

Corelli: 12 concerti grossi op.6 (1988)

Fasch: Concertos and Orchestral Suite[(1995)

Handel: 6 concerti grossi op.3 (1984)

Handel: 12 concerti grossi op.6 (1985)

Handel: Water Music (1983)

Handel: Music for the Royal Fireworks and concerti a due cori nos.2 and 3 (no.1 is on Christmas Concertos) (1985)

Handel: Music for the Royal Fireworks (original version of 1749), concertos, occasional suite (1995)

Handel: Concerto grosso Alexander’s Feast HWV 318, sonata à cinque HWV 288, concertos for oboe HWV 287, 301, 302a (Simon Standage, violin; David Reichenberg, oboe) (1984)

Handel: Overtures from Samson, il pastor fido, Agrippina, Alceste, Saul and Teseo (1986)

Handel: Organ concertos op.4, op.7 and HWV 295, 296, 304 (Simon Preston, organ) (1984)

Handel: Coronation Anthems (with Simon Preston conducting the choir of Westminster Abbey) (1982)

Handel: Dettingen Te Deum, Dettingen Anthem (with Simon Preston conducting the choir of Westminster Abbey) (1984)

Handel: Ode for St. Cecilia’s Day (Felicity Lott, soprano; Anthony Rolfe-Johnson, tenor) (1985)

Handel: Italian cantatas: Silete venti HWV 242; Cecilia, vogli un sguardo HWV 89 (Jennifer Smith, soprano; John Elwes, tenor)

Handel: Messiah (Arleen Auger, soprano; Anne Sofie von Otter, contralto; Michael Chance, countertenor; Howard Crook, tenor; John Tomlinson, bass) (1988)

Handel: Belshazzar (1990)

Handel: Acis and Galatea in Mozart’s arrangement K.566 (1991)

Handel: Tamerlano (2001); CD: Avie records (live recording, London), DVD: Arthaus Musik (live recording, Halle)

Haydn: concertos for oboe, trumpet and harpsichord (Hob.XVIII:11) (Paul Goodwin, oboe; Mark Bennett, trumpet; Trevor Pinnock, harpsichord) (1985)

Haydn: violin concertos; Salomon: Romance for violin (Simon Standage, violin) (1989)

Haydn: Stabat mater (1990)

Haydn: missa in angustiis (Nelson mass), te deum (1987)

Haydn: missa sancti Nicolai, Theresienmesse (1993)

Haydn: symphonies le matin, le midi, le soir, (nos. 6, 7, 8) (1987)

Haydn: Sturm und Drang symphonies (nos. 26, 35, 38, 39, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 58, 59, 65) (1989-1991)

Mozart: complete symphonies (1992-1995)

Mozart: Krönungsmesse "Coronation Mass", Exsultate jubilate and Vesperae solennes de confessore (1994)

Purcell: Dido and Aeneas (1991)

Purcell: Timon of Athens and Dioclesian (1995)

Purcell: King Arthur (1991)

Purcell: Odes: Come, ye sons of art, away; Ode for St. Cecilia’s Day; Of old, when heroes thought it base (the Yorkshire feast song) (1989)

Purcell: choral works with the choir of Christ Church, Oxford, conducted by Simon Preston

Telemann: 3 Orchestral Suites for 3 oboes and bassoon TWV 55: C6 and B10, for 2 hunting horns TWV 55: D19 (1993)

Telemann: Suites, Concerto in D Major for 3 oboes & bassoon TWV 55: g4 and D1, for 3 trumpets TWV 54: D4 (1994)

Vivaldi: 12 concertos il cimento dell’armonia e dell’inventione op.8 (Simon Standage, violin); flute concerto RV 429, cello concerto RV 424; CRD records (1978)

Vivaldi: le quattro stagioni (Simon Standage, violin) (1982)

Vivaldi: 12 concertos for 1,2 and 4 violins l’estro Armonico op.3 (Simon Standage, Micaela Comberti, Elizabeth Wilcock, Miles Golding, violins) (1987)

Vivaldi: 12 concertos for violin la stravaganza op.4 (Simon Standage, violin) (1990)

Vivaldi: 7 concerti for woodwind and strings (1995)

Vivaldi: concerti alla rustica (1986)

Vivaldi: concerti l’amoroso (1987)

Vivaldi: 6 concerti for flute op.10 (Lisa Beznosiuk, flute) (1988)

Vivaldi: Gloria; A. Scarlatti: dixit dominus (1988)

Vivaldi: stabat mater, salve regina, nisi dominus (Michael Chance, countertenor); sinfonia for strings RV 169 (1995)

Collections

Christmas Concertos (1988)

Pachelbel: Canon and Gigue (1990)

A Grand Concert of Musick: English Baroque Concertos (1979)

Christmas in Rome: Vivaldi: Gloria; Corelli: Christmas Concerto; A. Scarlatti: O di Betlemme altera povertà (on video and CD) (1992)

Opera Arias by Mozart, Haydn and Gluck (Anne-Sofie von Otter, mezzo-soprano) (1995)

Oboe Concertos: C. P. E. Bach, Wq.165; Lebrun, no.1; Mozart, K.314. (Paul Goodwin, oboe) (1990)