基本內(nèi)容
簡介 姓名：塔斯黛·韋爾德（Tuesday Weld）
塔斯黛·韋爾德
生日：1943年8月27日
出生地：美國，紐約
別名：Susan Ker Weld
身高：1米63（5u20184“）
生于紐約市，父親早亡。3歲時(shí)已成為服裝模特兒，后參加電視劇的演出。10歲時(shí)開始酗酒，兩年后甚至于想過自殺。1956年她13歲時(shí)開始登上銀幕，以扮演天使和性感女郎見長，但卻未能引起關(guān)注。之后一段時(shí)間里，她的人生再次遭遇坎坷，離婚并遭火災(zāi)。直到60年代中期，她才聲譽(yù)卓著，成為眾人崇拜的偶像。1977年以《欲�；ā帆@奧斯卡最佳女配角提名。其它主要影片有《因?yàn)樗麄兡贻p》、《性感女郎上大學(xué)》、《單身公寓》、《賭王衛(wèi)冕戰(zhàn)》、《毒玫瑰》、《一家之主》等。
作品年鑒
《Five Pennies, The》 《五個(gè)便士》1959)
《High Time》 《生涯巔峰》 (1960)
《 Because They’re Young 》《華府風(fēng)光》(1960)
《 Cincinnati Kid, The》《辛辛那提少年》 (1965)《Lord Love a Duck》《閣下愛鴨》 (1966)
《 Pretty Poison 》《美麗的毒藥》(1968)
《勇往直前》1970
《避風(fēng)港》 1971
《Play It As It Lays》《順其自然》 (1972)
《 Looking for Mr. Goodbar》《尋找顧巴先生》 （1977）
《 Who’ll Stop the Rain》 《誰能讓雨停住》(1978)
《Serial 》1980
《Thief》《小偷》 (1981)
《Author! Author!》《歡喜冤家》 (1982)
《Once Upon a Time in America 》《美國往事》(1984)
《傷心旅館》 1988
《 Feeling Minnesota》《愛上明尼蘇達(dá)》 (1996)
《不羈的感覺》 1996
《怒火風(fēng)暴》(1993)
《 Heartbreak Hotel 》《綁架貓王》(1988)
獲獎(jiǎng)作品
1985 英國電影學(xué)院獎(jiǎng)(BAFTA Film Award) 最佳女配角(提名) 美國往事(1984)
1984 艾美獎(jiǎng)(Emmy) Outstanding Supporting Actress in a Limited Series or a Special(提名) 叫我第一名
1978 奧斯卡(美國電影學(xué)院獎(jiǎng)) 最佳女配角(提名) 尋找顧巴先生(1977)
1973 金球獎(jiǎng)(Golden Globe) 最佳女主角（劇情類）(提名) Play It As It Lays(1972)
1960 金球獎(jiǎng)(Golden Globe) Golden Globe 桂冠獎(jiǎng) Golden Laurel(提名)
1960 桂冠獎(jiǎng)Golden Laurel(提名)
英文個(gè)人介紹
Susan Ker Weld was born on August 27, 1943, in New York City. When her father, Lathrop Motley Weld, died three years later at the age of 49, the cute little girl, whose name by then had somehow been transmogrified into "Tuesday", took over the role of the family breadwinner, which inc
塔斯黛·韋爾德
luded her mother Yosene Balfour Ker. She became a successful child model, posing for advertisements and mail-order catalogs. Her work and the burden of responsibility estranged her from her mother Aileen and her two elder siblings and catapulted the preteen girl into adulthood. At nine years of age she suffered a nervous breakdown, at ten she started heavy drinking. One year later she began to have affairs, and at the age of twelve she tried to commit suicide. In 1956 she debuted in the low-budget exploitation movie Rock, Rock, Rock(1956) and decided to become an actress. After numerous TV appearances in New York she went to Hollywood in 1958 and was cast for Rally ’Round the Flag, Boys!(1958), something of a breakthrough for her. Over the next few years Tuesday became Hollywood’s queen of teen, playing mainly precocious sex kittens. Her wild private life added to the entertainment of her fans. Critics acknowledged her talent, directors approved of her professionalism, and in the late 1960s she even managed to grow out of her child/woman image and find more demanding roles - she had been "sweet little 16" for about 16 years. However, Tuesday Weld didn’t achieve first-magnitude stardom. Maybe she was just unlucky with her selection of jobs (she turned down Lolita(1962), Bonnie and Clyde(1967), True Grit(1969), Bob & Carol & Ted & Alice(1969), among others); maybe her independence-loving mind made her instinctively shrink back from the restraints of super stardom. In any case, she kept on performing well in films that had either not much flair or not much success.From the mid-’70s on she focused more and more on made-for-TV movies, which was ironic in that the best (Once Upon a Time in America(1984)) and the most successful (Falling Down(1993)) films that came her way happened after her big-screen career had pretty much petered out
