生卒年不詳.清代咸豐、同治年間蘇州彈詞藝人.本名時(shí)霏，字吉卿、一號(hào)滄浪釣徒.長(zhǎng)洲（今江蘇蘇州）人.幼時(shí)曾習(xí)刑名而為書吏，后隨父馬春帆習(xí)唱彈詞.所說《珍珠塔》一書享譽(yù)一時(shí)，且彈唱自成一格.運(yùn)用本嗓而質(zhì)樸淳厚，被奉為“馬調(diào)”。彈唱之余自創(chuàng)新詞，集成《南詞小引初集》刊世.同時(shí)著有《南詞必覽》。一度為彈詞行會(huì)組織“光裕社”頭領(lǐng).所著《道訓(xùn)》一篇，被同行奉為習(xí)藝做人之座右銘. Years of birth and death unknown. Qing Dynasty Xianfeng, Tongzhi years, Suzhou storytelling artist. Whose real name is, when Fei, word Ji Qing, on the 1st Canglang fishing believers. Cheung Chau (now Suzhou, Jiangsu) Human. Xingming childhood learning and the clerks who, after father's Ma Chunfan learning to sing storytelling.'s assertion that "The Pearl Pagoda," a book known 1:00, and the Acoustic sui generis. the use of simple yet profound simplicity of the throat and has been regarded as a "horse tune." Apart from the innovative Acoustic term, integrated "South Kohiki the beginning of the word series" issue of the World. At the same time forward, "the word must be in relation to the South." Once for the storytelling guild organization "Koyu Society" chieftains. Book, "Road Training" one, was the motto of a man peers regarded as a workhouse.