(1901—1974)日本攝影家.1901年出生于東京一個商人家庭.1920年進入照相館學習商業(yè)攝影并潛心研究人物肖像攝影技術.1933年曾為日本文藝界和新聞界31位人物拍攝了59幅肖像,受到好評而一舉成名.是日本攝影報道組織“日本工房”的發(fā)起人之一.1950年任日本攝影家協(xié)會會長.50年代初,與一批日本的著名攝影家一起創(chuàng)辦了“中央工房”、“國際報道寫真協(xié)會”、“東方社”、“文化社”等攝影組織,并曾在“國際報道寫真協(xié)會”及一些報刊從事新聞攝影工作.1953年后,成為自由職業(yè)攝影家.多年來堅持攝影為社會服務,主張走入社會,為大眾服務.在其創(chuàng)作的藝術風格上他主張抓拍,反對擺布加工.他在拍攝人物肖像時,喜歡利用自然光,抓拍活動中的人物.其作品具有強烈的現(xiàn)實性和濃郁的生活氣息.主要代表作品有:《在東京街頭》、《扇千景》等. (1901-1974) Japanese photographer, was born in Tokyo .1901 1 .1920 merchant families entered the studio to study commercial photography and painstaking research, portraits photography .1933 Japanese literary and art circles and the media who have years of 31 people shot 59 portraits by praise and fame. photo coverage of the organization in Japan, "Japan Kobo" one of the founders of the Japan Photographers Association, he served as president of .1950 early .50, with a group of well-known Japanese photographer, together founded the " Central Workshops, "" International Association reported that photo "," Oriental Society "," Culture and Society "and other photographic organizations, and was in the" International Association reported that photo "and a number of newspapers and periodicals in the news media photographer .1953 years later, a free professional photographer . Over the years insist on photography as a social service advocates into the community, the public interest. in their creative artistic style he advocated snapshot against the mercy of processing. he was shooting portraits, it prefers to use natural light, capturing the activities of the characters. the reality of his works have a strong and rich flavor of life. the major representative works are: "In the streets of Tokyo", "Ogi" and so on.