概述
（１８３０—１９０１）英國早期繪畫派攝影家代表之一.１８５８年開始從事攝影，１８７年任英國攝影學(xué)會(huì)副會(huì)長(zhǎng)，１８９６年被選為聯(lián)合王國全國攝影大會(huì)主席.他所采用的繪畫派攝影創(chuàng)作方法，是事先畫下某種場(chǎng)面的草圖，然后把各個(gè)構(gòu)成部分拍成照片，接著分別剪貼在適當(dāng)?shù)谋尘吧�，再小心地彌合縫隙，最后把全畫面拍成照片.繪畫派攝影的特點(diǎn)是題材多為歷史性、寓言性、文學(xué)性和懷古性的.畫面結(jié)構(gòu)嚴(yán)謹(jǐn).作品可以根據(jù)攝影家的構(gòu)思，像美術(shù)繪畫一樣創(chuàng)造出主題畫面.但作品缺乏真實(shí)感及生動(dòng)活潑的情感.代表作品有《臨終》、《黎明與黃昏》等.有《攝影的畫意效果》等著作. (1830-1901) British photographer of early paintings were one of the representatives .1858 began to engage in photography, 187, he served as vice president of the Assembly photography. His paintings were used in photography method is some sort of pre-painted scenes sketches, and then made into the various components of photographs, and then were cut and paste in the appropriate background, and then carefully bridge the gap and finally the whole screen turned into a photo. paintings were characterized by photography subjects are mostly historical, allegorical nature, literature, and nostalgia in nature. screen structured. work at home based on the idea of photography as art, like painting pictures to create a theme. However, the lack of realistic and lively works of emotions. representative works the "death", "Dawn and Dusk" and so on. have "photography effect of Painting" and other works.
