概述
（１９１５—）京劇演員，戲曲導演.原名 李順來.出生于上海.受家庭薰陶，從小學 武生戲和老生戲，九歲登臺.表演上極受 周信芳、 蓋叫天的影響. 抗日戰(zhàn)爭開始，投身于 歐陽予倩主持的“ 中華劇團”，參加演出《 梁紅玉》等具有愛國思想的新戲.１９４１年參加了擁有 金素秋、董俊樓、 徐敏初等京劇演員的“ 秋聲社”，演出了《 武松與潘金蓮》、《 明末遺恨》、《 徽欽二帝》、 《董小宛》等戲.劇團改名“四維平劇社”后，參加演出了《 葛嫩娘》、《 香妃》、《 華麗緣》、《 太平天國》等戲，這些戲，大部分也是他導演的.４０年代，先后導演了 田漢的劇作《江漢漁歌》、《金缽記》、《 武則天》、 《琵琶行》等.１９４８年進入解放區(qū)石家莊，在華北戲劇音樂工作委員會舊 劇組參加審定工作.１９５４年在 中央戲劇學院導演訓練班，學習 斯坦尼斯拉夫斯基演劇體系，后調(diào)到 中國戲曲學院從事導演研究工作. 新中國成立后的１７年中，導演了京劇《 紅娘子》、《 三打祝家莊》、《新 白兔記》、《 白蛇傳》、《 破洪州》、 現(xiàn)代京劇《 八一風暴》，昆曲《 逼上梁山》等.在繼承傳統(tǒng) 表演藝術的基礎上，借鑒、吸收了話劇、電影等藝術特點，形成自己的風格.１９７８年任中國戲曲學院副院長兼導演系主任.導演了《 紅燈照》、《 王昭君》、《 冼夫人》， 河北梆子《 蝴蝶杯》，昆曲《 西廂記》、 《長生殿》，粵劇《昭君公主》， 淮海戲 《兒女情》等.在多年的導演工作中，屢次獲得獎勵.１９５１年加入 中國共產(chǎn)黨，現(xiàn)為 中國戲曲導演學會會長. (1915 -) opera actor and opera director. Formerly Shun-Lai Li. Was born in Shanghai. Influenced by their families, from the elementary school play, and Rou-Sei Rim Takefu theater, on stage nine. Performance on the highly Zhou Xinfang, Gai Jiaotian effects. Anti-Japanese War began , engaged in Ouyang Yuqian under the auspices of " Chinese Theater", to participate in performances, "Liang Hongyu" and other patriotic ideas have joined the new drama .1941 to own Jinsu Qiu, Dong Jun floor, XU Min elementary Peking Opera "Shusei Society", performances of "Wu Song and Pan Jinlian," "Ming grudge", "emblem of Emperor Qin 2," "Dong Xiaowan" and other plays. Theater renamed the "four-dimensional flat Drama Society", the participants performed a "Ge delicate mother", "Xiang Fei" , "gorgeous touch", "Taiping Heavenly Kingdom" and other plays, these plays, most of which he was directed by .40 years, has directed Tian Han’s play "Jianghan Fishermen’s Song", "Jinbo mind", "Empress Wu", "Song of the Pipa "and so entered the liberated areas .1948 Shijiazhuang, in northern China’s Dramatic Music Commission approval to participate in the work of the old crew .1954 director in the Central Academy of Drama training, learning Stanislavsky theater system, and later transferred to the Chinese Opera Research Institute engaged in directing work. New China 17 years after the founding director of the Peking Opera " Red Snake", "three-Zhu Jia Zhuang", "New White Rabbit", "White Snake", "broken Hongzhou," Modern Peking Opera "81 Storm ", Kun Opera," driven to revolt "and so on. in succession on the basis of the traditional performing arts, drawing, absorbing drama, film and other artistic features, forming their own style of .1978, he was vice president of the Chinese Opera Institute and Head of the Department director. directed "Red Lantern", "Wang Zhaojun", "Madame Xian", Hebei Bangzi "Butterfly Cup", Kun Opera "The West Chamber", "Palace of Eternal Youth," Cantonese Opera " Princess Zhaojun", Huaihai show "Love" and so on. In the for many years director of work, has repeatedly rewarded .1951 joined the Communist Party of China, is now president of the Society for the Chinese opera director.
