(1791—1824)法國畫家,浪漫主義先驅(qū).生于魯昂.1810年入蓋蘭畫室學(xué)習(xí),并與德拉克洛瓦相識(shí),常去盧佛爾博和館臨摹古代大師作品.1816—1817年在佛羅倫薩和羅馬度過,崇拜米開朗基羅和巴洛克美術(shù).1817年回到巴黎,并創(chuàng)作第1批動(dòng)物石版畫和習(xí)作.1819年在沙龍展出《梅杜薩之筏》,以全新面貌使得受新古典主義束縛的法國藝術(shù)界耳目一新.作品以悲劇性手法描繪“梅杜薩”海輪沉沒后,漂流在海洋上人們掙扎求救的悲壯情景.其畫所包含的浪漫主義因素、構(gòu)圖與人物的豐富表現(xiàn)力、色調(diào)森嚴(yán)與沉抑和明暗的強(qiáng)烈對(duì)比,引起19世紀(jì)藝術(shù)名流派的興趣.亦喜畫馬,善于表現(xiàn)馬的動(dòng)態(tài),作石版畫也有新的成就.主要作品還有《輕騎兵軍官》、《受傷的輕騎兵》、《賽馬》和石版畫《偉大的英國》等. (1791-1824) French painter, a pioneer romanticism. Was born in Rouen .1810 he entered the studio ghaylan, learning and acquaintance with Delacroix, frequented by the Buddha Lo Balbo and the Museum of copying the ancient masters .1816-1817 years spent in Florence and Rome, worship Michelangelo and Baroque art .1817 years returned to Paris, and created the first stone a batch of animal prints and exercises .1819 exhibited in Salon, "The Raft of Medusa" to the whole The new look made by the neo-classical restraint of the French art refreshing. works to a tragic portrayal of "Medusa" seagoing vessel sank after drifting at sea help people struggling with the heroic scenes. Her paintings contain romantic elements, composition and characters in a rich expression, tone tight and Shen suppression and the sharp contrast between light and dark, causing the 19th century schools of art were interested. also glad to painting horses, good dynamic performance of the horse for lithographs have new achievements. major works are " Light cavalry officer, "" Light Cavalry wounded, "" horse race "and lithographs, the" Great Britain "and so on.