高居翰
高居翰(James Cahill，1926- )學(xué)習(xí)經(jīng)歷：
1950年獲加利佛尼亞伯克利大學(xué)東方語言系學(xué)士學(xué)位，1952、1958分別獲密歇根Ann Arbor大學(xué)藝術(shù)史系碩士和博士學(xué)位。
研究領(lǐng)域：中國古代繪畫史
簡介：
作為中國繪畫史研究的資深元老，高居翰曾長期擔(dān)任加利佛尼亞伯克利大學(xué)（The University of California at Berkeley）藝術(shù)史和研究生院的教授，以及美國華盛頓弗利爾美術(shù)館（The Freer Gallery of Art）中國書畫部顧問，他的著作多是由在各大學(xué)授課的講稿修訂，或是充分利用博物館資源編纂而成，皆是通過風(fēng)格分析研究中國繪畫史的經(jīng)典書籍，享有世界范圍的學(xué)術(shù)聲譽。后期，他又對中國古代繪畫中的性別問題產(chǎn)生興趣。
出版書籍:
u2022Chinese Painting. Reprinted. New York: Rizzoli, 1985, 1960.
u2022Hills Beyond a River: Chinese Painting of the Yuan Dynasty, 1279-1368. New York: Weatherhill, 1976.
u2022 Parting at the shore: Chinese painting of the early and middle Ming dynasty, 1368-1580. New York: Weatherhill, 1978.
u2022The Distant Mountains: Chinese Painting of the Late Ming Dynasty, 1570-1644. New York: Weatherhill, 1982.
u2022The Compelling Image: Nature and Style in Seventeenth-century Chinese Painting. Cambridge, MA: Harvard University Press, 1982.
u2022Three Alternative Histories of Chinese Painting. Lawrence, KS: Spencer Museum of Art, 1988.
u2022The Painters Practice: How Artists Lived and Worked in Traditional China. New York: Columbia University Press, 1994.
u2022The Lyric Journey: Poetic Painting in China and Japan. Cambridge, MA: Harvard University Press, 1996.
u2022The Flower and the Mirror: Representations of Women in Late Chinese Painting, is presently being prepared for publication.
