概述
（１８７９—１９５３）法國畫家.早期作品受印象派的影響，享有盛名.在１９０８—1911年間，從印象派轉(zhuǎn)向立體主義，并短期參加德勞內(nèi)的奧弗斯主義和未來主義的試驗性探索.１９１５年，在紐約與杜桑合作創(chuàng)立了美國達達派.１９１６年回到歐洲，在巴塞羅那創(chuàng)辦多種介紹達達派的刊物.１９１９年回到巴黎，活躍于達達派和超現(xiàn)實主義圈中.善于把接觸到的新觀念予以融化并創(chuàng)新，其藝術(shù)始終走在立體主義、達達主義和超現(xiàn)實主義各運動最前列.從整體看，作品中洋溢的實驗本質(zhì)彌補了其折衷作風(fēng).２０年代后所作的“透明作品”，以玻璃紙和淡染做成拼貼，都極為細膩抒情.其藝術(shù)重要性在于作品不管到何處都可使人感到達達派的理論，并受其影響. (1879-1953) French painter. Early works by the Impressionist influence reputation. In the 1908-1911 years, the shift from impressionism cubism, and the short-term to participate in the Overstone Delaunay Marxist doctrine and future experimental exploration .1915 years, co-founded in New York with Dusan Dadaism .1916 years of the United States returned to Europe, was founded in Barcelona in a variety of publications .1919 introduced Dadaism year returned to Paris, active in the Dada and Surrealist circles . good to come into contact with new ideas to be melted and innovation, and his art has always walk in Cubism, Dadaism and Surrealism at the forefront of all movements. On the whole, the experiment works, overflowing with the essence makes up for its eclectic style .20 made after the age of "transparency works" to a collage made of cellophane and light pollution, are extremely delicate lyricism. his art is important because people can work regardless of where to find the theory of Dadaism, and its effects.
