概述
（１８９４—１９６５）蘇聯(lián)電影導(dǎo)演.生于烏克蘭索斯尼克.早年曾做過(guò)教師、領(lǐng)事館秘書(shū)和報(bào)館漫畫(huà)師.１９２５年進(jìn)入電影界，初期主要編寫(xiě)電影劇本并執(zhí)導(dǎo)過(guò)《愛(ài)的果實(shí)》（１９２６）、《外交隨從的公文包》（１９２７）等影片，從１９２８年開(kāi)始，杜甫仁科的藝術(shù)創(chuàng)造日臻成熟.《滋溫尼格克》（１９２８）和《兵工廠》（１９２９）兩部影片顯露了他杰出的導(dǎo)演才華.１９３０年拍攝的《土地》被稱為“蒙太奇電影最后一部巨著”，贏得了廣泛的國(guó)際聲譽(yù).此后又有《伊凡》（１９３２）、《航空城》（１９３５）、《肖爾斯》（１９３９）、《米丘林》（１９４９）、《海之歌》（１９５８）、《烽火年代》（１９６１）、《捷斯納河》（１９６５）等佳作問(wèn)世.杜甫仁科是蘇聯(lián)蒙太奇電影的代表人物，是一位“電影詩(shī)人”，他以獨(dú)特的蒙太奇處理形成了影片總體的敘事抒情詩(shī)風(fēng)格.而他執(zhí)著表現(xiàn)的有關(guān)人與自然本質(zhì)聯(lián)系的主題，又使得詩(shī)意之中滲透著烏克蘭民族的血液，樸實(shí)而厚重.在杜甫仁科的影片里，烏克蘭故鄉(xiāng)的自然景色成了循環(huán)不息、具有情感色彩的生命實(shí)體.它與人的生活、斗爭(zhēng)相聯(lián)系，在敘事過(guò)程之中，自然完整地達(dá)成了哲學(xué)與社會(huì)學(xué)意義上的隱喻關(guān)系.杜甫仁科的電影創(chuàng)作以獨(dú)特的風(fēng)格，在蘇聯(lián)蒙太奇電影中獨(dú)樹(shù)一幟.對(duì)蘇聯(lián)和歐美各國(guó)的青年導(dǎo)演產(chǎn)生了深刻的影響.為了表彰杜甫仁科在電影藝術(shù)領(lǐng)域的卓越貢獻(xiàn)，蘇聯(lián)政府曾多次授予他斯大林獎(jiǎng)金和人民藝術(shù)家的稱號(hào). (1894-1965) Soviet film director. Born in Ukraine, Sosnick. In his early years worked as a teacher, consulates secretary and newspaper cartoons division .1925 entered the film industry, initially to write film scripts and directed "the fruit of love" (1926 ), "foreign followers of the briefcase" (1927) and other films, from 1928 onwards, Du Fu, the art of PeopleSoft to create more sophisticated and mature. "Nige Ke Wen Zi" (1928) and "Arsenal" (1929) 2 film revealed His years of distinguished film director, talent .1930 "land" is referred to as "the last one masterpiece film montage," has won wide international reputation. then again, "Ivan" (1932), "Air City" (1935) , "Shoals" (1939), "Michurin" (1949), "Sea Song" (1958), "the flames of Age" (1961), "Czech Eisner River" (1965), etc. come out excellent work. Du PeopleSoft is a representative of the Soviet montage film is a "film poet", he formed a unique montage of the film dealing with the overall narrative style of lyrical poetry.’s performance and his dedication on the nature of contact between man and nature themes, but also makes the poetic penetration into the Ukrainian nation’s blood, plain and heavy. in Du Fu’s PeopleSoft film, the Ukraine, home of natural beauty has become the eternal cycle of life with the emotional color entity. It is people’s lives, the struggle is linked, in the narrative the process of natural philosophy and reached a full sense of the metaphor of the relationship between sociology. Du PeopleSoft film created a unique style, unique in Soviet montage film. For the young Soviet Union and the United States and Europe had a profound influence on the director. In recognition of Du Fu in the movie PeopleSoft’s outstanding contribution to the arts, the Soviet Government has repeatedly awarded him the Stalin prize and the title of People’s Artist.
