(1900—1983)西班牙電影導(dǎo)演.生于卡蘭達(dá)鎮(zhèn)一個(gè)天主教家庭.自幼受宗教和資產(chǎn)階級(jí)教育,因而對(duì)其虛偽性有著深刻的認(rèn)識(shí).這使他以后的創(chuàng)作常常以此作為批判性主題.1926年他到法國(guó),任著名先鋒派電影導(dǎo)演讓.愛(ài)潑斯坦的助手.1928年開(kāi)始獨(dú)立創(chuàng)作,同年執(zhí)導(dǎo)的《一條安達(dá)魯犬》和1930年執(zhí)導(dǎo)的《黃金時(shí)代》,開(kāi)創(chuàng)了超現(xiàn)實(shí)主義電影的先河.1932年拍攝的《無(wú)糧的土地》,系一部反映農(nóng)民悲慘處境的重要紀(jì)錄片.193—1935年間,在馬德里擔(dān)任商業(yè)性影片的制片人和導(dǎo)演.1936—1939年,曾任西班牙共和國(guó)電影處的領(lǐng)導(dǎo)工作.1950年后,陸續(xù)拍攝了《被遺忘的人們》(1950)、《一個(gè)沒(méi)有愛(ài)情的女人》(1952)、《魯濱遜飄流記》(1954)、《呼嘯山莊》(195)、《內(nèi)薩琳》(1958)、《少女》》(1960)、《比里迪亞娜》(1961)、《毀滅的天使》(1962)、《女仆日記》(1964)、《沙漠里的西蒙》(1965)、《白日美人》(1967)、《銀河》(1968)、《特麗斯丹娜》(1970)、《資產(chǎn)階級(jí)審慎的魅力》(1972)、《幻影》(1974)、《欲望的隱晦目的》(197)等影片.一生共攝制影片32部,多次在戛納電影節(jié)、威尼斯電影節(jié)以及奧斯卡最佳外語(yǔ)片角逐中獲獎(jiǎng).布努艾爾是一位傳統(tǒng)觀念的反叛者,他的影片主要以宗教和資產(chǎn)階級(jí)生活為題材,對(duì)其進(jìn)行不遺余力的揭露和抨擊;與此同時(shí),他又常常在無(wú)意識(shí)無(wú)理性的哲學(xué)范疇中表現(xiàn)情人之欲望和愛(ài)情之瘋狂.而電影敘事手法的超現(xiàn)實(shí)主義特征,使他的作品在風(fēng)格形態(tài)上更具有獨(dú)特性和創(chuàng)造性. (190-1983) Spanish film director. Born in the town of a Catholic family Calanda. Childhood by religious and bourgeois education, and thus their hypocrisy has deep knowledge. Which makes him the creation of the future is often as critical Theme .1926, he went to France, he was so well-known avant-garde film director. Epstein’s assistant .1928 began independently created the same year directed "An Dalu a dog" and the 1930 film "Golden Age", creating a super - set a precedent for realism, the film shot years of .1932 "no grain of the land," the Department of the plight of a peasant’s important documentary .193-1935 years in Madrid as a commercial film producer and director .1936-1939 years , a former Spanish Republic of the Film Department’s leadership .1950 years later, after another shot of the "forgotten people" (1950), "one does not love a woman" (1952), "Robinson Crusoe" (1954), "Wuthering Heights" (195), "within the Salin" (1958), "Girl" "(1960)," Beery Diana "(1961)," Angels of destruction "(1962)," Diary of a Chambermaid "( 1964), "the desert of Simon" (1965), "Belle de Jour" (1967), "Galaxy" (1968), "Terri Sidan Na" (1970), "the charm of the bourgeoisie prudent" (1972) "Phantom" (1974), "Sex and the obscure purposes" (197), etc. videos. a lifetime total of 32 production of a film several times at the Cannes Film Festival, Venice Film Festival and Best Foreign Language Film Oscar race winning numerous awards. Bunu Yi Fall is a traditional concept of the rebels, and his film mainly religious and bourgeois life as a theme, them to spare no effort to expose and attack; At the same time, he often unconscious irrational lover of philosophy and the performance of the category of desire and love of the madness. while the film narrative technique of ultra-realism of characteristics that make his work more in the style of morphologically unique and creative.