概述
（１５０８—１５８０）意大利文藝復興時期的建筑理論家、建筑師.生于帕多瓦，在維琴察當過泥瓦匠.曾到羅馬學習和研究古代建筑.他熟悉古羅馬建筑，在復興古羅馬建筑對稱布局與和揩比例方面做出貢獻.建筑作品風格嚴謹而富有節(jié)奏感，表現(xiàn)了手法主義的一種特征.１５７０年帕拉第奧發(fā)表了《建筑四論》，系統(tǒng)地總結(jié)了古典建筑的經(jīng)驗和他本人的觀點，這部書對歐洲建筑界的影響很大.擅長于考古和建筑實踐，注重從理論上探討建筑物的比例.他的作品很多，有代表性的如改建的意大利維琴察尼西利卡（１５４９）。這是在一座原有大廳（１４）的四面增加券柱外廊的建筑，由于處理手法巧妙，被稱為帕拉第奧券柱式母題，對后來許多大型建筑設計很有影響.維琴察郊外的圓廳別墅（１５２）也成為后來許多同類建筑的范本. (1508-1580) Italian Renaissance architectural theorist, architect. Was born in Padua, Vicenza served in mason. Had gone to Rome to study and the study of ancient architecture. He is familiar with ancient Roman architecture, in the revival of ancient Rome Building symmetrical layout and arrangements will be ratio contribute. architectural works rigorous and rhythmic sense of style, showing the way a feature of Marxism-year .1570 Palladio published "Building 4 theory", a systematic summary of classical architecture experience and his own point of view, this book greatly influenced the construction industry in Europe. specializes in archaeological and architectural practice, focusing on the proportion of the building from the theoretical discussions. a lot of his works, representative of Italy, such as alterations Vicenza Nixilika (1549). This is an original Hall (14) additional coupons four columns outside the gallery building, due to clever approach, known as the Palladian motif coupon column, for many large-scale architectural design was very influential. Virgin circular hall of police on the outskirts of Villa (152) also became the model for many of the same building.
