概述
（１８４２—１８９８）法國象征派詩人.生于巴黎.早期詩作深受波德萊爾影響.１８６６年在《當(dāng)代帕爾納斯》上發(fā)表《窗子》、《蔚藍的天》、《海風(fēng)》等著名詩作.１８７１年發(fā)表詩劇《埃羅提亞德》的片斷.詩劇《牧神的午后》（１８７６）寫牧神在夏天的一個下午睡醒后回想剛剛看見的那些不知是夢是真的美麗女神.他認為詩人的使命在于感知并揭示現(xiàn)實世界背后的“絕對世界”，創(chuàng)造真實花卉中所沒有的理想之花.他作詩追求雕塑美、音樂美，遣詞造句新奇別致.作品集有《詩與散文》和《徜徉集》。最后發(fā)表的詩《骰子一擲絕不會破壞偶然性》是構(gòu)思一生而終未寫出的“唯一的作品”的片斷，晦澀難懂. (1842-1898) French Symbolist poet. Was born in Paris. Early poems deeply affected .1866 Baudelaire in "Contemporary Parnas," published in "windows", "blue sky", "Sea Breeze", etc. published the famous epic poems .1871 "Ai Luoti Asia and Germany," the piece. epic, "Afternoon in the summer, after the recall had just seen a dream which I do not know is really beautiful goddess. In his view the poet’s mission is to perceive and to reveal the real world behind the "absolute world", the creation of real flowers that are not the ideal flower. He wrote a poem to the United States to pursue sculpture, music and the United States, words and sentences novel and unique. Portfolio as " Poetry and Prose "and" wander collection. " The last published poem "threw dice would never undermine the chance" is the idea of life and the end is not written "only works" pieces, obscure.
