概述
（１９０７—１９７８）中國(guó)話劇導(dǎo)演、戲劇教育家.字公叔.浙江余姚人.１９２７年入復(fù)旦大學(xué)外國(guó)文學(xué)系學(xué)習(xí)，參加復(fù)旦劇社，創(chuàng)作《星期六的下午》，改譯《寄生草》。１９２９年畢業(yè)后留校執(zhí)教.１９３０年參加中央左翼劇團(tuán)聯(lián)盟（后改為中國(guó)左翼戲劇家聯(lián)盟）。１９３１年起，先后導(dǎo)演《戰(zhàn)友》、《蠢貨》、《五奎橋》、《壓迫》、《月亮上升》、《求婚》等劇.１９３８年與于伶等創(chuàng)辦上海劇藝社，在上海“孤島”堅(jiān)持抗日演劇，先后導(dǎo)演《夜上�！�、《生財(cái)有道》、《寄生草》、《妙峰山》、《北京人》等劇.太平洋戰(zhàn)爭(zhēng)爆發(fā)后，先后在華藝、美藝、同茂、國(guó)華等劇團(tuán)導(dǎo)演《中發(fā)白》、《云彩霞》、《釵頭鳳》、《家》等劇.抗戰(zhàn)勝利后，為上海劇藝社導(dǎo)演《孔雀膽》、《少年游》、《芳草天崖》等劇.１９５０年相繼執(zhí)教于上海戲劇�？茖W(xué)校和上海戲劇學(xué)院，先后導(dǎo)演《婦女代表》、《上海屋檐下》、《青年一代》和滬劇《星星之火》、《蝴蝶夫人》等劇，導(dǎo)演中注意運(yùn)用斯坦尼斯拉夫斯基體系，并吸收民族藝術(shù)傳統(tǒng).導(dǎo)演風(fēng)格樸實(shí)、恬淡、含蓄.著有《導(dǎo)演技巧對(duì)話》、《舞臺(tái)創(chuàng)作技法》等專論.歷任中國(guó)戲劇家協(xié)會(huì)上海分會(huì)副主席，中國(guó)作家協(xié)會(huì)上海分會(huì)理事. (1907-1978) Chinese drama director and drama educator. Gongshu word. Yuyao, Zhejiang were .1927 Foreign Literature Department of Fudan University, he entered the study, participated in Fudan theaters, art "Saturday afternoon", changing translated "parasitic grass" . After graduating in 1929, stayed coaching .1930 joined the Central left-wing Theater Union (later renamed the Chinese left-wing dramatists Union). Since 1931, has directed "comrade", "idiot" and "five-Kui Bridge", "oppression", "The moon up", "courtship" and other drama .1938 so years with Yu Ling Shanghai Drama Art Society was founded in Shanghai " island "adhere to the anti-Japanese drama, has directed" Night in Shanghai "," wealth "," parasitic grass "," Miao Feng "," Peking Man "and other plays. the Pacific War broke out, worked in Huayi, U.S. Art, with the Mao, Guo-hua and other theater director "in the pale," "Cloud Choi Ha", "Chaitou Feng", "home" and other plays. After the war, the Shanghai Drama Arts Society director "Kong Quedan," "Youth Tour", "Grass Tian Ya" and other drama .1950 successive years, taught at the Shanghai Drama College and the Shanghai Dramatic Arts, has directed "the representation of women", "Under Shanghai Eaves", "young generation" and the Shanghai opera, "A single spark," "Butterfly Lady "and other drama, directed attention to the use of the Stanislavsky system, and to absorb the national artistic heritage. directed style of simple, tranquil, subtle. Author of" direct technique dialogue "," Stage creative techniques "and other monographs. served as the Chinese Drama Association Shanghai Branch, vice chairman of Chinese Writers Association Shanghai Branch of directors.
